Hablando de Carmen

Hablando de Carmen

hablando de carmen

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Premiere15th of june, 2019, Eisfabrik Hannover
artistic direction / choreographyMónica García Vicente
dancersLoris Zambon, Bettina Paletta, Alice Gaspari
live music/compositionJürgen Morgenstern-Feise
dramaturgy Christina Rohwetter
costumes Trixxi Theis
light designChristoph Lubrich
photography Dorit Schulze
sponsored byLandeshauptstadt Hannover Kulturbüro, Niedersächsisches Ministerium für Wissenschaft und Kultur, Region Hannover, Klosterkammer Hannover

This artistic work on the myth leads to a reflection on the existential human themes of love, life and death, sexuality, freedom and violence.

When “speaking about Carmen” with words, gestures and sounds, the clichés liquefy. New perceptions, insights and forms of expression emerge beyond the stereotypes. Dance, text and music are equal and moving elements of the choreography, which are in a permanent dialogue on stage – in search of alternative, liberating stories about the myth of Carmen.

trailer

the woman is bitter as gall; but there are two occasions when she is pleasant: in bed and on the bier.

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Palladas; Later The Motto Of The Novella
“Carmen” by Prosper Mérimée

Industrial movements

Industrial movements

industrial movements

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Premiere21st of september, 2019, Kesselhaus Hannover
artistic direction / choreographyMónica García Vicente
dancersAlice Gaspari, Bettina Paletta, Loris Zambon
live musicEmre Kesim
photography Peter Hoffmann-Schoenborn
sponsored byLandeshauptstadt Hannover Kulturbüro, Stiftung Edelhof Ricklingen V.J.V. Osten

The Kesselhaus is an inspiring place for an artistic experiment on the role of women in industry. The performance of movement, rhythm and sound conveyed to the audience the arduous circumstances of working in dirt, soot, heat, confinement and noise. The performers transformed the boiler house into an instrument, from which the musician was even able to elicit entire melodies, and into a participatory space of experience in which the audience had to position itself independently in relation to the three dancers in order to find a perspective.

the kesselhaus is a magical place where new forms of expression can be found for communicating with the audience.

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Mónica García Vicente

Das weiße Blatt

Das weiße Blatt

das weiße blatt

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Premiere29th of april, 2018, within the framework of Move Your Town, Neues Rathaus Hannover
artistic direction / choreographyMónica García Vicente
dancerMónica García Vicente
live musicJürgen Morgenstern-Feise
photographyMichèle Stéphanie Seydoux
sponsored byLandeshauptstadt Hannover Kulturbüro

The performance was a new experience every time, both for those on stage and for the audience. You have to study and do research so that all these experiences can flow freely when improvising and so that this journey / improvisation becomes interesting.

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for me, impro means:
i don’t search, i experience the moment and in the end, you always find something.

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Mónica García Vicente

Mar ardentro

Mar ardentro

mar ardentro

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Premiere27th of january, 2018, SOLOCOREOGRAFICO 2018 – Frankfurt Edition, Gallus Theater, Frankfurt
other performances Festival 1.2.3…Soli 2018 in Lyon & within the framework of New Steps at Ballhof Theater Hannover
awardWinner Festival 1.2.3… Soli Lyon-Award
artistic direction / choreographyMónica García Vicente
dancer Davide Sioni
photographyMichèle Stéphanie Seydoux, Jörg Mannes

to swim out to sea and to not be able to come back. my memories burned inside of me. i am in the prison, the water is my prison, the water is my freedom. one day i will be able to come back.

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Mónica García Vicente

trailer

Lichtungen

Lichtungen

lichtungen

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performance17th of september, 2017, finissage of the exhibition “Lichtungen” with a room installation by Elke Maier, Kulturkirche Markuskirche Hannover
artistic direction / choreographyMónica García Vicente
dancers Mónica García Vicente, Loris Zambon
organ Kantor Martin Dietterie
photography Heike Mischewsky
sponsored byHanns-Lilje-Stiftung, Evangelisch-Lutherische Landeskirche Hannover, VGH Stiftung, Calenberg-Grubenhagensche Landschaft

The artist Elke Maier strung 20,000 meters of white yarn in the church hall of St. Mark’s Church to create a spatial work of art in which the effect of light is crucial – it traces the course of the sun, causing the artwork to change every second. When sunlight reached the threads immediately, they glowed brightly, transforming into luminous materiality before the eyes of onlookers. In other states, the threads were almost invisible, but still present, which also had a mysterious effect.

Mónica was fascinated by this living structure that transformed light into something material, and established a physical dialogue between dance and light with her choreography. The dancers have to constantly overcome the abstract work, which consists of a structure like a cone of light that connects the sky to the earth and becomes an architectural structure, to reach the space in front of them.

A mystical relationship between space, movement and sound was created.